“The kīla is one of many iconographic representations of divine “symbolic attributes” ofVajrayānaandHindudeities. When consecrated and bound for usage,the kīla is anirmanakayamanifestation of Vajrakīlaya. He is embodied in the kīla as a means of destroying (in the sense of finalising and then freeing) violence, hatred, and aggression by tying them to the blade of the kīla and then transmuting them with its tip.”
For as long as this deluded mind identifies with this impure, illusory body, everything you do is a cause of saṃsāra, and the results never transcend suffering. Even though occasions of prosperity in mundane existence do occur, it is obvious that these unreal, illusory deceptions lead you astray. So here is advice on the meaning of identitylessness to be followed by those who recognize this and seek liberation. If you do not realize that all phenomena in saṃsāra and nirvāṇa are simply your own appearances, with no basis or root, by merely knowing a superficial emptiness, you will not achieve the Mahāyāna ārya grounds.
If you do not realize how to transform into the path the spontaneously actualized appearances of the radiance of pristine awareness of the essential nature of original purity, you will be overcome by the dust of transmigration among the three appearances, failing to see the original nature of existence.
Therefore, the sole protector of all beings, which is unrivaled in the realms of mundane existence and ultimate peace, is this one supreme path that has been and will be followed by all jinas. By the power of the blessings of great compassion and the great fortune and good deeds of disciples, this appears only this one time, so it is difficult to find and is even more rare than the udumbara flower.
If it is said that by merely hearing its name, even great sinners are freed from the miserable realms of existence, it is certain that those who practice by hearing, thinking, and meditating will become bodhisattvas who reach the end of mundane existence. Careful examination of this reveals the great significance of finding it, which surpasses finding a wish-fulfilling jewel.
Those who unwaveringly devote themselves to this day and night are exalted as the foremost of all Dharma practitioners. Although there is nothing more profound than the Dharma of the Great Perfection, for those who fail to connect with it and who arrogantly denounce cause and effect, it is a cause for miserable rebirths.
Until you have reached a high level of realization, such that you experience no pain even if you are cut with a weapon, with great devotion apply yourself to the profound practical instructions on what to abandon and what to follow in terms of cause and effect. Although the meditative equipoise of the Great Perfection is ineffable, when first entering the practice as a novice, even if you express your opinions to others as if you were accompanied by visions of texts and reasoning, it is important to gain certainty regarding explanations that do not contradict the profound nature of existence and the vast nature of appearances, so that you know how to properly teach what does and does not exist, what is and is not, and what is to be avoided and what is to be practiced.
If you are a courageous practitioner of this discipline, you will not be overcome by adversity, but immature people discriminate against others in terms of comparing their class to others’. In a pleasant, wonderful place of solitude, which pacifies outer and inner distractions, abandon pointless and trivial concerns and activities and apply yourself to practicing the essence of that which is greatly meaningful.
Come to know the ultimate nature of existence, like the space of the sky, and abide in displays of practice. The wisdom of an ordinary person lacking inborn and cultivated virtues does not go far, like the flight of a honeybee, but once you have found delight in the garden of excellent meaning, the melodious explanation of whatever you have understood will hum forth. Those who taste this sweet essence again and again perfect the power of blessed confidence. Those who divulge secrets incur problems, and those who despise or disparage this path will be tormented by duḥkha; it is inadvisable to divulge anything even upwind of such people. When perceiving this path, suitable vessels feel great devotion and confidence in its explanation; even if they are from a low class and poor, it is said that they should be taught without reservation.
Guardians and protective demons of the teachings of secret mantra punish those who violate their samayas, and they support and befriend those who keep them; understand how they do so in accordance with traditional accounts.
May the immaculate collections of virtue, dedicated following the wisdom of Mañjughoṣa, flow like the current of the Ganges. May the experience of the nature of existence by way of this effortless path merge with the ocean of omniscience. In the short term, may unfavorable circumstances throughout the world fully subside, and may our spiritual and mundane bounties be equal to the fortune of the gods of Tuṣita.
Through thick and thin until enlightenment, may we always be accompanied by the unfailing affection and respect of vajra siblings with common karma and aspirations, and may we practice the Vajrayāna.
Handmade traditional form fitted sámi silk shawl for my Sea Sámi kofte made with Asian brocade fabric traditionally used in buddhism. Lotus and vajra pattern in yellow and gold 😊 Turned out so nice, very happy with the result, it’s glowing in the sunlight 🙌 My kofte (gákti) is green, which will look amazing with the yellow 💛
The way of yoga and dharma is to become less and less until we are like the wind in the trees or the ripples on the water. In reality only a beautiful movement of love, compassion and joy seeking nothing for itself but serving the world with genuine kindness and generosity. Letting go (awakening) of the ever demanding ego (self identity) is the greatest gift we can bring to our own life and the life of all beings. The less of ‘you’ there is, the happier you will be. What a paradox. Becoming no-one, going no-where. A joyous zero, empty yet fulfilled.
What is authenticity, as in being authentic? I have been thinking about this lately, although I can barely spell the word. Is is being completely transparent and honest all the time? Is it being open about your struggles, hopes and dreams? Or is it to be so in touch with your true nature & your personality that you simply cannot be anything else?
I think it might be a combination of all these, as honesty, openness and personality all seem to shine forth automatically when one is resting in one’s natural state. My goal would at least be to try and live in such a way that I am not fooling myself or those around me. I find it difficult though. By fooling, I mean that I don’t always speak my mind when I should. Sometimes I choose holding onto resentment. Sometimes I even nod along to things I don’t agree with. Sometimes I dress differently than I would like to, just to fit in.
I have been trying lately to be more open about what my experience is, it feels a bit dishonest and lonely to not do so. From a relative point of view, I have lots of labels on myself, and I try to speak openly about these matters, both in conversations and on social media. I don’t feel like hiding these aspects of me. They are useful to relate to other people and for me to navigate myself in the world, and find meaningful relations. I am all of these things and that’s okay 🙂
From an absolute point of view, I guess none of these labels matter. But I am still trying to understand the absolute, so I think maybe I should not write too much about what I still need to learn and live first hand.
Hope everyone had a lovely Christmas and has a Happy new year! ❤
Before even starting this list, I know this is going to be a long post. I will not be able to choose just one artwork by each artist, and I want to write what exactly it is about their work which speaks to me and inspires me. Just googling and looking through their work and studying their techniques instantly sparks motivation and awe in me.
Here are the artists:
Nicholas Roerich Thomas Cole K. Hokusai John Savio Eva Harr Robert Gonsalves Theodor Kittelsen The Brothers Hildebrandt Phil Couture
The list is sort of random, except for the one on top. Nicholas Roerich’s artworks are truly some of the best I’ve seen, not only in style and composition but also in the message they convey: often spiritual, mystical and religious themes combined with amazing landscapes and colour combinations.
Short trivia: Roerich (1874-1947) was a Russian painter, philospher and archeaologist. Founder of Agni Yoga or Living Ethics/Teaching of Life with his wife, Helena. He did a five year long ‘expedition’ to Asia, which in his own words were: “from Sikkim through Punjab, Kashmir, Ladakh, the Karakoram Mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, the Altai Mountains, the Oyrot region of Mongolia, the Central Gobi, Kansu, Tsaidam, and Tibet”, which immensely influenced his works.
During his life, he lived both in Russia, Finland, England, India and USA.
Besides the recognition as one of the greatest Russian painters, Roerich’s most notable achievement during his lifetime was the Roerich Pact (the Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments) signed April 1935 by the representatives of American states in the Oval Office of the White House. It was the first international treaty signed in the Oval Office.
There is a museum in New York displaying 150 of his works- which I would love to visit 🙂
Fun fact: The minor planet 4426 Roerich in the Solar System was named in honor of Nicholas Roerich.
Here are some of his best works, in my opinion (Sources: Google and the Roerich museum website)
As you can probably guess, my favourite kind of art is landscapes; mountains and rivers, skies and horizons. Thomas Cole’s work is very realistic and typical for the romantic era, but also carries a sort of spiritual vibe to them as he often implemented celestial beings such as angels. He is exceptionally good at perspective and composition, as you can see in the works below – and the details are amazing.
Short trivia: Thomas Cole (1801-1811) was born in England, but moved to the United states when he was 17 with his family. He is known for his amazing landscape paintings of the American wilderness, and was mostly self taught, studying other artists’ work and reading books.
In 1842, Cole embarked on a grand tour of Europe in an effort to study in the style of the Old Masters and to paint its scenery. Most striking to Cole was Europe’s tallest active volcano, Mount Etna. Cole was so moved by the volcano’s beauty that he produced several sketches and at least six paintings of it.
Fun fact: The fourth highest peak in the Catskills (where he and his wife lived) is named Thomas Cole Mountain in his honor.
I struggled choosing a limited amount of Cole’s paintings because he has so many good ones. I chose four of the absolute best ones, in my opinion, where the two first ones are part of a four series of paintings called The Ages of Life.
(Sources: google and Wikipedia)
Amid those scenes of solitude… the mind is cast into the contemplation of eternal things.
I love Japanese art. Although kind of typical Japanese in style, Hokusai still has his own expression, and I like the use of so many colours. He also has a lot of movement in his works, making them come alive. Just look at that wave 🙂
Short trivia: Hokusai (approx. 1760-1849), was a Japanese painter and woodblock print maker.
Hokusai had a long career, but he produced most of his important work after age 60. His most popular work is the ukiyo-e series Thirty-six Views of Mount Fuji, which was created between 1826 and 1833. It consists of 46 prints.
Hokusai was never in one place for long. He found cleaning distasteful, and instead, he allowed dirt and grime to build up in his studio until the place became unbearable and then simply moved out. The artist changed residences over 90 times throughout his life.
During a Tokyo festival in 1804, he created a portrait of the Buddhist priest Daruma said to be 600 feet (180 m) long using a broom and buckets full of ink. Another story places him in the court of the Shogun Iyenari, invited there to compete with another artist who practiced more traditional brush stroke painting. Hokusai’s painting, created in front of the Shogun, consisted of painting a blue curve on paper, then chasing a chicken across it whose feet had been dipped in red paint. He described the painting to the Shogun as a landscape showing the Tatsuta River with red maple leaves floating in it, winning the competition.
The artist also had difficulty settling on a single moniker. Although changing one’s name was customary among Japanese artists at this time, Hokusai took the practice even further with a new artist name roughly each decade. Together with his numerous informal pseudonyms, the printmaker claimed more than 30 names in total (!)
His tombstone bears his final name, Gakyo Rojin Manji, which translates to “Old Man Mad about Painting.”
Fun fact: Claude Monet acquired 23 of the Japanese artist’s prints.
(Sources: katsushikahokusai.org, artsy.net, google and wikipedia)
The only Sámi artist on my list, and the best one 🙂 I snuck him on there despite him not mainly being a painter, but also doing lithography. This summer, I went to see his original artworks at the Savio museum in Kirkenes, my mother’s hometown. Most of his art has arctic inspired themes; reindeers, the Sámi peoples way of life, and the wilderness (vidda).
Short trivia: John Andreas Savio (1902-1938) from Bugøyfjord, was the first sámi artist to get his own exhibition at the National Gallery (Norway). He also exhibited some of his works in Paris in 1937.
Savio grew up as an orphan and died at age 36.
I was lucky enough to visit Eva Harr’s gallery in Reine, Lofoten this autumn, and got to see her original works up close. Her style is realistic combined with a fiction-like feeling; it could be a real place she has painted, but it could also be a made-up dreamy landscape. She’s good at combining elements, such as rocks, and I like how she is able to make many of her paintings look hazy.
Short trivia: Harr (1951) is a Norwegian painter, born in Harstad. She has her own gallery as mentioned, and many of her works are displayed in other museums around Norway. Her own words about her art:
“Jeg har en meditativ holdning til mitt arbeide, der naturens syklus alltid står i fokus. Døgnets ulike stemninger, lyset og mørket, nattens begynnelse og slutt – og ikke minst månen med sin mektige symbolikk og innvirkning på våre liv. Symbolene jeg finner i naturen er ofte universelle og sterkt ladet. Dette velger jeg å utforske og fordype meg i. Mitt landskap er et indre landskap, og er metafor på mine indre reiser. Jeg vil speile naturen, og dens viktige plass i våre liv. Jeg blir berørt av dette uforutsigbare som preger vår tid, uro og støy som truer vår natur. Dette preger mitt blikk, og er underliggende i mitt valg av motiv. Samtidig ser jeg klart at lysets skiftninger og landskapet i nord, er en veldig viktig inspirasjonskilde.”
from her own website, evaharr.no
Some of her amazing works (Sources: google and her website)
Four years ago, I came across one of Gonsalves’ paintings (the first one below) and it reminded me of a meditation experience I had had. So I checked out more of his works, and found so many more that I liked. Style: surrealism (or magic realism) and optical illusions.
Short trivia: Rob Gonsalves (1959-2017), also known as The Master of illusion, was a architect and painter from Ontario, Canada. His works were very much influenced by other surrealist artists, such as Dalí and Escher. He also published several books containing his works. Sadly, Gonsalves took his own life last year. Check out this webpage if you want to see more of his mindbending artworks.
(Sources: wikipedia and google)
One of the most famous and beloved artists in Norway. You have probably seen his works even if you don’t know it. His art reminds me of childhood, as he made illustrations to many of the big Norwegian fairytales, lores and legends. I wish I had more of Kittelsen’s art, but I have been so fortunate to get my hands on five vintage porcelain plates (for hanging on the wall) with his drawings on them, and one giclée print of “White Bear King Valemon”.
Short trivia: Theodor Severin Kittelsen (1857-1914) was a Norwegian illustrator and painter born in Kragerø. He has also written and published several poems. He came from a poor family with seven siblings, and his father died when Theodor was only 11 years old. This forced him to get out and get a job as an apprentice, which inevitably lead him to meet art historian Diderich Aall, who saw how gifted the boy was. Aall decided to pay for his art education.
In 1874, 17 years old, Kittelsen attended Wilhelm von Hannos drawing school in Christiania (now Oslo). In 1876, he travelled to München, to study at the royal art academy there.
Kittelsen’s depiction of trolls have largely shaped how people see these beloved fictional creatures.
His family’s home at Lauvlia is today a museum. Some of his most popular works were made here. His wife Inga was a stay-at-home teacher for their nine children and she organised his exhibitions.
Th. Kittelsen also composed an eerie book with illustrations about the Black Death.
Despite being very talented, Kittelsen never achieved financial security through his works.
(Sources: wikipedia, google and theodorkittelsen.no)
The Brothers Hildebrandt
When I was a kid, I used to flick through my dad’s art books and magazines, and I specifically remember seeing fantasy paintings. Fantasy is a very unique genre, and I love how skillful you have to be with your brush to make good fantasy art. Tim and Greg Hildebrandt are two of these.
Short trivia: Greg and Tim Hildebrandt, known as the Brothers Hildebrandt (born January 23, 1939), are American twin brothers who worked collaboratively as fantasy and science fiction artists for many years. They produced illustrations for comic books, movie posters, children’s books, posters, novels, calendars, advertisements, and trading cards. Tim Hildebrandt died on June 11, 2006.
They began painting professionally in 1959 as the Brothers Hildebrandt. The brothers both held an ambition to work as animators for Walt Disney, and although they never realized this dream, their work was heavily influenced by illustration style of Disney feature films such as Snow White, Pinnochio and Fantasia.
An oil painting artist I discovered last year on Etsy. As mentioned above, I like Asian art, and also fine art, so Phil Couture’s oil portraits of geishas really deserved a place on my list. I ordered one of his prints not long ago. Style: realism.
Short trivia: Philippe Couture was born in Drummondville, Canada in 1984, raised in Lakeland, Florida, and currently resides in Kyoto, Japan. He has been drawing and painting his entire life and Phil’s art education was primarily self-taught. His training consisted of drawing and painting from life, studying masterpieces in museums around the world, and employing exercises taught by classical ateliers. – from his own website.
My best early Sunday morning try at making a logo/profile pic for my Facebook art page.
Think it turned out pretty good! I used an app called Logopit Plus to add the fonts and circles, and the picture itself I just took outside on the porch – daylight really brings out the color in my paintings.
This morning I also felt very inspired and creative to make something, and I have always been very fond of Asian art, specifically Chinese and Japanese style paintings. So this one is inspired by that:
“The Master has mastered Nature; not in the sense of conquering it, but of becoming it. In surrendering to the Tao, in giving up all concepts, judgments, and desires, her mind has grown naturally compassionate. She finds deep in her own experience the central truths of the art of living, which are paradoxical only on the surface: that the more truly solitary we are, the more compassionate we can be; the more we let go of what we love, the more present our love becomes; the clearer our insight into what is beyond good and evil, the more we can embody the good.” – Lao Tzu
These past couple of days, my mind has been spinning in the direction of motivation and inspiration towards writing and painting. I feel creative again, after many, many months of having a huge creative blockage in my system. I’m painting and writing letters to people I care about. I’m not feeling as critical towards my own ability to create, and therefore I am able to play around more without being too hung up on the result. I even found the courage to go ask an art studio and a gallery in town if they wanted to display my paintings, and they did! What an adrenaline kick.
Anyway. I felt like writing about my buddhist path. Two nights ago, I was at a small get-together, a moving-in-party at a buddhist friend´s place, and the conversation steered towards spirituality and religion. Me and this friend were the only practicing buddhists in the room, and it became evident to me that there are a lot of assuptions about buddhism that I just don’t find true at all, in my personal experience. For example that the (historical) Buddha Shakyamuni is looked upon as a God, above other people/followers, that enlightenment/buddhahood is something mystical only available to certain people and that spirituality is only empty rituals.
To me, it only makes sense that since we all have a mind, that means we all have the ability to transform it, to step out of the wheel of suffering and confusion. And since we all have a heart, we all have the potential to open it towards all living beings, and develop a compassionate heart without disrimination. The Buddha Shakyamuni showed us it’s possible, and so did many other dharma practitioners and teachers, such as Yeshe Tsogyal, Padmasambhava and Jetsun Milarepa – to mention a few.
I think it’s important to remember that when we are practicing dharma, it is not to become a part of Tibetan or Indian culture, or to belong to any other culture with a strong tie to buddhism. It is “simply” to be a kind of scientist who looks closely at our own minds, and to be able to use the samsaric (cyclic) mind as a tool to transform it into an enlightened one. Training our minds through meditation. In this sense, I feel buddhism has much more of a spiritual approach to it, than a religious one. There is a lot of religious and cultural baggage attached to buddhism that I personally don’t agree with; for example putting young children in monasteries, away from their families, blindly believing something just because a robed person said it without using common sense to check it for yourself, and the still-existing patriarchy that’s still going on in some areas of buddhism.
Despite this, I still call myself a buddhist, or dharma practitioner, because I feel a strong devotion in my own heart to practice the dharma following the buddhist approach and a motivation to transform my mind using the buddhist teachings. I feel lucky to not live in a poor country and to have time to practice and to be able to go on retreats 3-4 times a year with a wonderful sangha and a very capable teacher. I also feel like the basic buddhist principles of ethics, honesty and being of help and benefit to others is such a beautiful and transformative thing which one can implement in one’s daily life.
Having been doing yogic practice for about 7 years now, I definitely feel like I have a more clear mind and a more pure heart. Still long ways to go, but feeling progress is golden. If you’d like to check out the tradition I am practicing in, go to openheart.fi 🙂
“A merchant crossing a forest infested with thieves would keep a weapon ready to hand. A traveler passing through a country ravaged by plague would take with him an assortment of medicines. In the same way, living as you do under the constant threat of emotions like anger, desire, pride, jealousy and many others, you should always be ready to fight them off with the appropriate antidotes. Constant vigilance is the mark of a sincere practitioner. You may know how to practice when everything is going well, but that is of little use if you succumb to the first emotion that hits you.
Good practitioners can be recognized by their response to difficult situations liable to provoke latent emotions. Those capable of reacting immediately with the correct antidote will have no problem overcoming obstacles.
In particular, if they know how to transcend the concepts of subject and object, all their thoughts will liberate themselves, like a snake wriggling out of the knots tied in its own body, without effort or help. When you trace all thoughts and concepts back to their very source, you will recognize that they all have the same true nature – emptiness inseparable from transcendent wisdom.”
“A thorough, experiential understanding of emptiness is the only antidote to the belief in an “I,” in a truly existing self. Once you recognize emptiness, all your attachment to such a self will vanish without a trace. Realization will blaze forth like a brilliant sun rising in the sky, transforming darkness into light. At first, until you actually recognize emptiness, you have to gain an understanding of it through deep and careful reflection on the teacher’s pith instructions. Then, when you first recognize it, your experience of emptiness will not be stable. To improve it, blend meditation and postmeditation periods. Try not to fall back into ordinary delusion, but to maintain the view of emptiness in all your daily activities. Meditation and the path of action will mutually enhance each other. Finally, you may reach a point where there is no difference between meditation and postmeditation, a point at which you no longer ever depart from emptiness. This is called the realization of great sameness. Within that great sameness, compassion for all beings will arise spontaneously—for the more you realize emptiness, the less there will be any impediment to the arising of compassion.” – Dilgo K. Rinpoche, excerpt from Heart of Compassion
Thunder, lightning, and the southern clouds, these three,
Although they arise, they arise from the sky itself;
Although they dissolve, they dissolve into the sky itself.
Rainbows, mist, and fog, these three,
Although they arise, they arise from the earth itself;
Although they dissolve, they dissolve into the earth itself.
Forests, flowers, and leaves, these three,
Although they arise, they arise from the mountain itself;
Although they dissolve, they dissolve into the mountain itself.
Rivers, bubbles, and waves, these three,
Although they arise, they arise from the ocean itself;
Although they dissolve, they dissolve into the ocean itself.
Habitual tendencies, clinging, and fixation, these three,
Although they arise, they arise from the All-Ground itself;
Although they dissolve, they dissolve into the All-Ground itself.
Natural awareness, natural lucidity, and natural liberation, these three,
Although they arise, they arise from the nature of mind itself;
Although they dissolve, they dissolve into the nature of mind itself.
The birthless, the deathless, and the expressionless, these three,
Although they arise, they arise from the nature of things itself;
Although they dissolve, they dissolve into the nature of things itself.
The appearance as demons, the apprehension as demons, and the conceptualizing as demons, these three,
Although they arise, they arise from the Yogi himself;
Although they dissolve, they dissolve into the Yogi himself.
‘She is considered to be the deity of universal compassion who represents virtuous and enlightened activity; a female bodhisattva.
The word Tara itself is derived from the root ‘tri’ (to cross), hence the implied meaning: ‘the one who enables living beings to cross the Ocean of Existence and Suffering’. Her compassion for living beings, her desire to save them from suffering, is said to be even stronger than a mother’s love for her children.
The story of Tara’s origin, according to the Tara Tantra, recounts that aeons ago she was born as a king’s daughter. A compassionate princess, she regularly gave offerings and prayers to the ordained monks and nuns. She thus developed great merit, and the monks told her that, because of her spiritual attainments, they would pray that she be reborn as a man and spread Buddhist teachings. She responded that there was no male and no female, that nothing existed in reality, and that she wished to remain in female form to serve other beings until everyone reached enlightenment, hence implying the shortfall in the monk’s knowledge in presuming only male preachers for the Buddhist religion. Thus Tara might be considered one of the earliest feminists.’
Some books I 1) have read and loved, 2) plan to read and 3) am currently reading 🙂
* Stones to Shatter the Stainless mirror: The fearless teachings of Tilopa to Naropa:
Excerpt from the book: “…I suppose that is the secret and the point of this Vision. In every situation, there is the relative view; where there are others and a world to serve with loving-kindness, compassion and generosity. And there is also the Ultimate view; where there are no others and no world. Only the mind of clear light, manifesting in the various illusions.”
This book really hit home for me; it’s easy to read, is filled with wisdom but also some funny parts that I could recognize from my own path. It’s written in a way that shows Naropa’s own point of view and the hardships he went through to humble himself enough to receive the teachings of Tilopa. Also, there are some direct “pointers to the moon” by Tilopa at the very end of the book.
* The Life of Milarepa
“It presents a quest for purification and buddhahood in a single lifetime, tracing the path of a great sinner who became a great saint. It is also a powerfully evocative narrative, full of magic, miracles, suspense, and humor, while reflecting the religious and social life of medieval Tibet.”
I have heard this book three times on audio, and it actually only gets better each time. The words are collected and written down by Tsangnyön Heruka (“The madman Heruka from Tsang”), and tells the story of Milarepa‘s physical and spiritual journey towards enlightenment. It’s written in quite a humorous way, I think, and has been very inspirational for me. Actually planning on hearing/reading it again very soon!
* White Lotus: An explanation of the Seven Line prayer to Guru Padmasambhava
“Mipham Rinpoche’s famous explanation of the Seven Line Prayer to Guru Rinpoche. In this remarkable text the author explains the Seven Line Prayer in the context and application of the main practices of the Nyingma school, including Trekchö and Tögal in an exceptionally clear and accessible manner. ”
* Lady of the Lotus-born: The life and Enlightenment of Yeshe Tsogyal
“This classical text is not only a biography but also an inspiring example of how the Buddha’s teaching can be put into practice. Lady of the Lotus-Born interweaves profound Buddhist teachings with a colorful narrative that includes episodes of adventure, court intrigue, and personal searching.”
I ordered this book from Amazon about a week ago; patiently waiting for it to drop into my mail box! I have been fascinated by, and feel very close to, Yeshe Tsogyal for the last 6 months or so, so am very excited to start reading this book. I normally order books to my Kindle app, but there is something very nice about having the book physically in your hands too 🙂 Especially if you are in a coffee shop reading, which I often do.
* Sky Dancer: The secret life and songs of the Lady Yeshe Tsogyal
Another book on Yeshe Tsogyal. Not much on this book when I google it, but still seems worth reading and easy to order for my Kindle app. The cover shows a picture of Vajrayogini/Naljorma – one of Yeshe Tsogyal’s aspects.
* The Life of Longchenpa: The Omniscient Dharma King of the Vast Expanse
“Compiled from numerous Tibetan and Bhutanese sources, including Longchenpa’s autobiography and stories of his previous lives and subsequent rebirths, The Life of Longchenpa weaves an inspiring and captivating tale of wonder and magic, of extraordinary visions and spiritual insight, set in the kingdoms of fourteenth-century Tibet and Bhutan. It also reveals for the first time fascinating details of his ten years of self-exile in Bhutan, stories that were unknown to his Tibetan biographers.”
Since I loved The Life of Milarepa so much, I have been looking for more biographies on spiritual teachers to read, and stumbled upon this one on Longchenpa, a teacher from the Nyingma lineage. These kinds of biographies seems to be very inspiring and motivational for my own path, and I just generally enjoy reading about other people’s path, and the way they deal with hardships and challenges. Still have not ordered this one, but it’s on my list!
* The Heart of Compassion: The thirty seven verses on the Practice of a Bodhisattva
“What would be the practical implications of caring more about others than about yourself? This is the radical theme of this extraordinary set of instructions, a training manual composed in the fourteenth century by the Buddhist hermit Ngulchu Thogme, here explained in detail by one of the great Tibetan Buddhist masters of the twentieth century, Dilgo Khyentse.”
Only just started on this one, think I am on page 4. I have been meaning to read Dilgo Khyentse’s autobiography Brilliant Moon for some time, but then I stumbled upon this book instead and will finish this before I start on the other. Dilgo Khyentse is by far one of the most inspirational buddhist teachers I know of, so looking forward to see if I like this text.
* Wild Ivy: The spiritual autobiography of Zen Master Hakuin
“Hakuin Zenji (1689-1769) is a towering figure in Japanese Zen. A fiery and dynamic teacher and renowned artist, he reformed the Zen Rinzai tradition, which had fallen into stagnation and decline in his time, revitalizing it and ensuring its survival even to our own day. Hakuin emphasized the importance of zazen, or sitting meditation, and is also known for his skillful use of koans as a means to insight.”
I am, unfortunately, a very slow reader and have spent a few months on this book, but I really do like it and plan on finishing it. It’s filled with personal accounts of Hakuin and also some lovely calligraphy paintings.
* More than Two: A practical guide to ethical polyamory
As the title implies, this is a book about polyamory. As a person who is relatively new to this kind of relationship structure, I thought I could use some pointers. Only read the introduction so far, but it seems promising.
If you have any books to recommend, please do not hesitate to comment or link it to me 😀